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- 3 amp bass control - Wikipedia - Learn about amp bass control here en.wikipedia.org/wiki The history of amp bass control describes the efforts in the 1970s and 1980s to build small...
2 Channel Car Stereo Amplifier - 6,000 Watt Dual Channel Bridgeable Audio Sound Auto Speaker Amp Box w/ Subwoofer Bass Control, High Power MOSFET, RCA Inputs, LED ...
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Amplifier Bass & Level Remotes Information: Control up to three compatible amplifiers with just one knob! Our wide variety of bass and level remotes offer you a quick and easy way to adjust the bass to compensate the variations of genres you are listening to.
everybody always installs an amp for a sub amp and then they wish they could control the bass sometimes more sometimes less this knob will give you the remote capability to do that I highly recommend if you like to change the way your music sounds with every song or who you have in the car that you definitely buy one of these.
The gain controls on most amplifiers are very small knobs mounted directly to an amplifier which can be difficult to reach once the amplifier is installed. An amplifier bass remote control simplifies the process by allowing you to control amplifier gain levels from a location that is more convenient.
If an EBC is connected to your amplifier, you are essentially bypassing the gain control inside the amplifier and running a wire to the external control known as the EBC. A remote subwoofer control, remote gain control, remote bass control, or whatever you want to call it is actually a remotely located, external gain control. Beware Of Distortion
Wolf - playing bass and controlling bass are two completely different things. If I gave you a really old paper cone bass amp, you wouldn't like the way the bass sounded (flabby). Just like some guitarists prefer tube amps to SS amps....it's the same thing.
The circuit discussed here is an example of the Baxandall tone control circuit, illustrated in Fig. 4.2.2, which is an analogue circuit providing independent control of bass and treble frequencies; both bass and treble can be boosted or cut and with both controls at their mid positions, provides a relatively flat frequency response, as illustrated by the blue ‘Level response’ graph line in ...
An Ampeg SVT cabinet with eight 10" speakers, with a separate Ampeg SVT amplifier "head" on top. A Yamaha B100-115 combo amp, which contains a 100 watt amplifier and one 15" speaker in a wooden cabinet. A Hartke 500 watt amp "head" on top of an Ashdown 4x10" speaker cabinet. A bass amplifier or "bass amp" is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet. While bass amps share many features with the guitar amplifiers used for electric guitar, such as providing an amplifier with tone and volume controls and a carrying handle, they are distinct from other types of amplification systems, due to the particular challenges associated with low-frequency sound reproduction. This distinction affects the design of the loudspeakers, the size and design of the speaker cabinet and the design of the preamplifier and amplifier. Speaker cabinets for bass amps usually incorporate larger loudspeakers (e.g.
A small, inexpensive keyboard amplifier for personal home usage A keyboard amplifier is a powered electronic amplifier and loudspeaker in a wooden speaker cabinet used for amplification of electronic keyboard instruments. Keyboard amplifiers are distinct from other types of amplification systems such as guitar amplifiers due to the particular challenges associated with making keyboards sound louder on stage; namely, to provide solid low-frequency sound reproduction for the deep basslines which keyboards can play and crisp high-frequency sound for the high-register notes. Another difference between keyboard amplifiers and guitar/bass amplifiers is that keyboard amps are usually designed with a relatively flat frequency response and low distortion. In contrast, many guitar and bass amp designers purposely make their amplifiers modify the frequency response, typically to "roll off" very high frequencies, and most rock and blues guitar amps, and since the 1980s and 1990s, even many bass amps are designed to add distortion or overdrive to the instrument tone (for bass, this is called "fuzz bass").