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  • Rona glassworks


    RONA a.s. (distribution under RONA brand) is a Slovak drinking glass manufacturer, established in Lednické Rovne, Slovakia, in 1892. The name RONA comes from the former naming of the village ‘‘Lednicz Rone’’. The company manufactures unleaded drinking glasses, known as crystal glass. 96% of production is exported and is available in more than 80 countries worldwide. The yearly production of the company exceeds 60 million pieces (2016). Product segments include households, the gastronomy business, aerospace, and ship catering. RONA Glass in the Rainbow Room, Rockefeller Center, NYC, 2015. Products of the company can be found at Buckingham palace and the White House. RONA created also a gift set for the football club Manchester United designed for fan shops in 2006. At the turn of 2008 and 2009, the company created and manufactured sets for fans of FC Barcelona, composed of stemware for champagne, red and white wines and carafes. The glass from Lednické Rovne can be found in the New York Rockefeller center's Rainbow Room, and in luxury hotels in Dubai and Las Vegas. The glass from the RONA company is supplied to airlines including: Emirates, Qatar Airways, Etihad, KLM, and American Airlines. Relief stemware set named Harmony was presented in an American sitcom from the world of young physicists, The Big Bang Theory. The main manufacturing programs of the glassworks: An automatic manufacturing of the stemware with attached stem, stemware with pulled stem, large accessory pieces such as vases, bowls, carafes and other accessories Handmade stemware, tumblers, vases, bowls, carafes and accessories Glass (hand made and machine made) refinements by various glass decoration techniques (pantograph etching, cutting, painting, engraving, spraying, screen printing, tampoprint, an automatic calibration by laser).

  • Roman glass


    Cage cup from Cologne, dated to the mid-4th century. Collection Staatliche Antikensammlung, Munich pyxis is exemplary of luxury Roman glassware, ca. late 1st century BC. Walters Art Museum, BaltimoreRoman glass objects have been recovered across the Roman Empire in domestic, industrial and funerary contexts. Glass was used primarily for the production of vessels, although mosaic tiles and window glass were also produced. Roman glass production developed from Hellenistic technical traditions, initially concentrating on the production of intensely coloured cast glass vessels. However, during the 1st century AD the industry underwent rapid technical growth that saw the introduction of glass blowing and the dominance of colourless or 'aqua' glasses. Production of raw glass was undertaken in geographically separate locations to the working of glass into finished vessels, and by the end of the 1st century AD large scale manufacturing resulted in the establishment of glass as a commonly available material in the Roman world, and one which also had technically very difficult specialized types of luxury glass, which must have been very expensive.

  • The Crystal Palace


    The Crystal Palace was a cast-iron and plate-glass structure originally built in Hyde Park, London, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in its exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was long, with an interior height of . It was three times larger than the size of St Paul's Cathedral. The introduction of the sheet glass method into Britain by Chance Brothers in 1832 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building and astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a piece penned by the playwright Douglas Jerrold, who in July 1850 wrote in the satirical magazine Punch about the forthcoming Great Exhibition, referring to a "palace of very crystal". After the exhibition, it was decided to relocate the Palace to an area of South London known as Penge Common.

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