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"This Time I'm Free" is a song recorded by the Sweden-based musician and producer Dr. Alban.
"Free as a Bird" is a song originally composed and recorded in 1977 as a home demo by John Lennon. In 1995, a studio version of the recording, incorporating contributions from Paul McCartney, George Harrison and Ringo Starr, was released as a single by the Beatles. It was released 25 years after the break-up of the band and 15 years after the death of Lennon. The song was very successful around the world, peaking at No. 2 on the UK Singles Chart, No. 3 in Sweden, and No. 6 on the US Billboard Hot 100. It also became a top-ten hit in Australia, Canada, Finland, Ireland, the Netherlands and Spain, and it charted strongly in several other countries, including Belgium and Norway. The single was released as part of the promotion for The Beatles Anthology video documentary and the band's Anthology 1 compilation album. For the Anthology project, McCartney asked Lennon's widow Yoko Ono for unreleased material by Lennon to which the three remaining ex-Beatles could contribute. "Free as a Bird" was one of two such songs (along with "Real Love") for which McCartney, Harrison, and Starr contributed additional instrumentation, vocals, and arrangements. Jeff Lynne of Electric Light Orchestra, who had worked with Harrison on Harrison's album Cloud Nine and as part of the Traveling Wilburys, was asked to co-produce the record. The music video for "Free as a Bird" was produced by Vincent Joliet and directed by Joe Pytka; shot from the point of view of a bird in flight, it features many references to Beatles songs, such as "Strawberry Fields Forever," "Penny Lane", "Paperback Writer", "A Day in the Life", "Eleanor Rigby", "Revolution", and "Helter Skelter". "Free as a Bird" won the 1997 Grammy Award for Best Pop Performance by a Duo or Group with Vocal and was the Beatles' 34th Top 10 single in the United States. The song secured the group at least one Top 40 hit in four different decades.
Free jazz is an approach to jazz that developed in the 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new. Free jazz has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often religious, roots. Although jazz is an American invention, free jazz musicians drew heavily from world music and ethnic music traditions from around the world. Sometimes they played foreign instruments, unusual instruments, or invented their own. They emphasized emotional intensity and sound for its own sake.